Olympus has received lots of praise for its OM-D series of compact system cameras, such as the , OM-D E-M5 and OM-D E-M1, but its Pen series has been a little overlooked in recent times.
OM-D E-M10
The
new Pen E-PL7 doesn't introduce anything fundamentally different or
novel; there's a screen that flips down (yes, down rather than up)
through 180 degrees to facilitate selfies for example, and a couple of
new Art Filters: Vintage and Partial Colour.
However,
what has changed is how Olympus is marketing the camera. The company is
talking much less about the technicalities of the specification and
much more about the creative potential of the camera. It's also going
after the female market, especially bloggers and fashion followers.
Inside
the E-PL7, however, is a 16.1-million-pixel Live MOS sensor and a
TruePic VII image processor, the same devices as are found inside the OM-D E-M10. This should mean that the new camera is capable of capturing the same high quality images.
Unlike
the OM-D series, the Pen series of compact system cameras don't have an
electronic viewfinder built-in. The three-inch 1,037,000-dot screen on
the back of the E-PL7, however, is still touch-sensitive and it can be
tilted up for easier viewing when shooting below head height, or down
through 180 degrees to help when shooting selfies.
Build and handling
Olympus
has used metal for the E-PL7's construction and it gives the camera a
nice solid feel. The hinge mechanism of the screen seems a little clunky
until you realise that there's a little arrow telling you to push it
downwards before tilting it down for selfie shooting. One of the
downsides of the screen tipping down for selfie mode is that you can't
mount the camera on a tripod, which limits properly composed selfies to
hand-held only.
When the camera is in selfie mode the
back of the hinge is visible, and it's a little industrial looking, but
I'm told that this may not be the final look as the samples I had access
to were pre-production.
When
the screen is tilted all the way down, a couple of icons appear at the
bottom of the screen for selfie shooters. Tapping the Camera icon
triggers the camera to take a shot, but tapping the other one triggers
the camera to take a sequence of images using the self-timer. The number
of images in the sequence and the length of time between each shot can
be set by the photographer via the drive mode and self-timer controls.
The
screen gives a good clear view both indoors and outdoors, though I have
yet to use the camera in bright sunlight. As with previous Olympus
cameras, the screen responds quickly to a touch.
The
Partial Color Art Filter is well implemented as you select the colour
that you want to remain via an on-screen colourwheel. This gives quite a
bit of scope for refining the hue that you want to remain in the image.
Performance
We
have yet to use a full production sample of the E-PL7, but we have been
allowed to publish full resolution sample images, so it can't be that
far off readiness.
Naturally
we will test the camera fully when we get a production sample, but the
early indications are good as the sensor and processing engine are tried
and tested. Our initial images indicate that noise is well controlled,
but the impact of noise reduction becomes apparent at normal viewing
sizes when the upper sensitivity settings (ISO 12,800 and 25,600) are
used – there's nothing unusual in that though.
Colour and white balance also look to be well-handled. The Partial Color Art Filter can produce some fun results, but it needs to be used with care to avoid sickly portraits or predictable images.
Colour and white balance also look to be well-handled. The Partial Color Art Filter can produce some fun results, but it needs to be used with care to avoid sickly portraits or predictable images.
Early verdict
Although
I was initially rather underwhelmed by the Pen E-PL7 (a tilting screen
and a couple of new Art Filters is hardly going to start a revolution),
it seems to be a good, solid camera that's capable of delivering high
quality images.
Holding the new camera alongside the Olympus OM-D E-M10,
which retails for around £499/US$649/AU$698 body only, I'm struck by
how similar they are in size despite the fact that the E-M10 has an
electronic viewfinder built-in. The E-M10 also has a tilting touch
screen and although it won't tilt into a position for helping with
selfies – as with the E-PL7 – there's Wi-Fi connectivity that allows the
camera to be connected with a smartphone so images can be composed (and
camera settings adjusted) on the phone screen. I wonder if many people
will prefer to save a little longer to buy the camera with a built-in
viewfinder...
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